Portugal was one of my most surprising drawing experiences. I was fascinated by the fact that this country (at least the architecture) seemed to be a two-tone land: brown from stone and white from lime on the walls.
Unusually, I had taken with me a notebook with brown pages. So, rather than allowing empty spaces on my sheet of watercolor paper to figure the white walls as I would have normally done, I decided to reverse things. I bought a tube of white gouache and loved playing in dual tone.
Very fine drawing!
Thanks. This palace is so fascinating with its two strange chimneys that it’s hard to miss this drawing